Sounds like Markus Suckut: Interview + Premiere
Since Eduardo de la Calles “Iadus-Iadavas” EP from 2017, Fran Domingo (aka Hakk) and Moy Santana have built a remarkably solid catalog with their record labe...
techno
Ritzi Lee – Negentropy – Epilogue Review
The spectre of Birmingham has haunted techno ever since the mid-90s, when the Downwards collective re-defined the meaning of darkness with their loopy, abrasiv...
MONUMENT 347 : Ø [Phase]
Ø , one of the most prominent London techno acts, transmits flawless dance vibes for the next part of the Monument podcast series, merging fresh and highly ado...
Petru – Kolibri Space Shuttle Review
Heavy techno does not always have to be po-faced, monochrome and edgy - a light-hearted touch or tongue-in-cheek attitude can help make a release more approach...
MONUMENT 346 : MTRL
MTRL's distinct sound is mixed through a kaleidoscopic journey of radiant beats, atmospheric waves, and deep grooves.
Expounded by a drive for artistic visi...
MONUMENT 344: Octo Åeterna
An outstanding selection of unreleased tracks, which seamlessly stitch together as a result of the producer’s solid mixing work, is what Octo Åeterna kept in s...
Yugen – You Review
While IDM has never quite fallen out of favour in the techno scene, in recent times it seems to be more popular than it has been in a while. Seemingly, produce...
“You’re listening to one big mistake”: Interview with Albert Van Abbe + Premiere
It’s a bit overwhelming, because there are so many different machines. The advantage with the ones from the 1950s is that they are not made for making music. So you’re basically listening to one big mistake. Jochem and I also did a session in the modular studio, but this one was much more productive....
MONUMENT 343 : Abstract Division
Planetary ambience reverberates through the impenetrable stillness together with hypnotic pulsations and unsettling, roaming sounds to form an unearthly sympho...